Los Angeles magazine writer David Ehrenstein boasted in a May cover story, “More than Friends”: “There are openly gay writers on almost every major prime-time situation comedy you can think of … In short, when it comes to sitcoms, gays rule.”
“Ehrenstein, a professed homosexual, cheerfully admits that gay writers are attempting to influence viewers with a homosexual agenda:
Quote:
The gay and lesbian writers of today have been pushing the envelope any chance they get. In fact, they’re encouraged to do so. Since current comedies are positively obsessed with the intimate sex lives of straight young singles, who better to write them than members of a minority famed for its sexual candor … as a result of the influx of gay writers, even the most heterosexual of sitcoms often possess that most elusive of undertones – the “gay sensibility” — ‘Frasier’ being a case in point.’ “The ‘gay sensibility consists, according to two homo-sexual writers, of ‘a very urban, very educated, ironic, detached, iconoclastic attitude.’ Plus, a deliberate over-dose of sexuality.”
... the Gay and Lesbian Alliance Against Defamation now routinely vets all TV scripts dealing with homosexuality
to make sure that the public sees only what the activists want.
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A September 2008 fund-raising mailer from GLAAD proclaims: Quote:
“History proves that social change drives legal and political progress. To succeed as a community, we must transform the way millions of Americans feel about us.”
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With a record number of homosexual characters on television, and only pro-gay story lines, it’s not surprising that polls show that Americans are becoming increasingly accepting of homosexuality.
The activists are well on their way toward their goal of recasting traditional sexual morality as a form of bigotry.